Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Henri Fantin-Latour
Hommage a Delacroix

ID: 45299

Henri Fantin-Latour Hommage a Delacroix
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Henri Fantin-Latour Hommage a Delacroix


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Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.  Related Paintings of Henri Fantin-Latour :. | Marie Yolande de Fitz James, | Jean Lucien Adolphe Jullien | Still Life | Duchess de Fitz-James | The Reader(Marie Fantin-Latour,the Artist's Sister) |
Related Artists:
DUVIVIER, Jan Bernard
b. 1762, Bruges, d. 1837, Paris
Dmitry Levitzky
1735-1822) was a Russian-Ukrainian portrait painter. Dmitry was born in Kiev, Ukraine, in a family of clergyman and engraver Grigory Levitzky. His father was his first art teacher. Later be became a pupil of Aleksey Antropov who came to Kiev to paint the Cathedral of St. Andrew. In 1770, Levitzky became famous as a portrait painter after the exhibition of six of his portraits in the Imperial Academy of Arts in St. Petersburg. For the portrait of Alexander Kokorinov, Director and First Rector of the Academy of Arts in St. Petersburg (1769) he was elected an academician and appointed the Professor of the portrait painting class at the Academy of Arts.
Pietro Perugino
Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.






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